Hansjorg Schmidt, Programme Director
- Teaching Area:
MSc in Built Environment; Post Graduate Certificate in Higher Education; BA (Hons) in Drama and Theatre Arts
Fellow of the Higher Education Academy; Hon. Secretary of SBTD; Professional Member of the Association of Lighting Designers.
- Professional Practice:
Hansjörg Schmidt is a lighting designer, working regularly with a group of UK based artists and theatre companies. His research interests lie in the area of lighting, site-specificity and narrative.
Recent lighting designs: ‘Zero’ (clod ensemble/Sadlers Wells), ‘Above Me The Wide Blue Sky’ (fevered sleep / Young Vic Theatre)’ ‘Silver Swan’ (clod ensemble/Tate Modern), ‘An Anatomy in Four Quarters’ (clod ensemble/Sadlers Wells Theatre), ‘On Ageing’ (fevered sleep/Young Vic Theatre), ‘Kursk’ (Sound & Fury/Young Vic), ‘The Forest’ (fevered sleep), ‘Under Glass’ and ‘Red Ladies’ (Clod Ensemble). Also with David Harradine: ‘Stilled’, and ‘Camera Obscura’.
Other recent projects include: ‘Kew Kitchens’, an architectural installation at Kew Palace. ‘The Beautiful Octopus Club’, for Heart ‘n Soul and the South Bank Centre, and shows for Jessica Ogden and Mika Fukkai at London Fashion Week.
Hansjörg’s website is at www.hansjorgschmidt.com
Wunderkammer: light as scenographic and dramaturgical tool in opera’, in Paul Fryer, ed., Opera in the Media Age: Essays on Art, Technology and Popular Culture, (McFarland 2014); 'Light in the work of Heiner Goebbels', paper presented at Heiner Goebbels symposium, University of Birmingham, (2012); 'Lighting stilled', paper given at TaPRA, Rose Bruford College (2011); 'Lighting Kursk', Blue Pages, (2010); ‘Theory box. Practice-led research project with Caroline Evans (Central St Martin's), Intersection, Prague Quadrennial, (2010).