Georgina trained as an actor at Drama Centre London, and has over 25 years experience as an acting teacher, director, and professional actor. Inspired by Demidov’s concept of the Creative Actor where the actor develops their own creative agency, she combines a specialism in Stanislavsky Technique with ActiontheatreViewpointsGoat Island’s devising practice and Jazz Aesthetics, to help actors open up their imagination and fulfil expressive potential.  She calls her innovative combined practice Bricolage. Georgina co-founded and co-directsDirty Market, a theatre company using Bricolage to make new work.  

 Before joining Rose Bruford College, Georgina was Head of MFA Professional Acting at Bristol Old Vic Theatre School, Head of Acting at Oxford School of Drama, Course Leader for MA Acting at Drama Centre London, and supervisor on the MA in Creative Performance Practice at London South Bank University.  She has contributed the chapter ‘Communion, Mindfulness and the Imaginative Actor’, to Stanislavsky and Mindfulness, published by Routledge in 2025, and ‘Cringe to Chora: reflections on the actor’s way back to inner aliveness in the surveillance age’ for Routledge’s new publication, Stanislavsky and Psychology.