Selected Professional Practice & Industry Work
- Co-deviser / performer – CANDID (2013 – present): long-term performance project exploring friendship in collaboration with Tania Batzoglou presented as a live performance, installation, film and other formats (various venues London / Athens)
- Concept / performer – LAUGHING GAS (2023 – present): autoethnographic solo project exploring language, touch and maternity care (Oxytocin Collective Care, London)
- Dancer – Expanded Landscapes (2022): outdoor dance installation by Angela Woodhouse and Nathaniel Rackowe (Summer Lights Festival, Canary Wharf)
- Movement Director – Romeo and Juliet’(2019): dir. by Nathan Crossan-Smith (Orange Tree Theatre, London)
- Performer / movement coach – MY CITY MY REVOLUTION (2014–2015) performance by Nesreen Nabil Hussein (Rich Mix, Shoreditch Town Hall The Ditch)
- Concept / Performer – THE AIR CHANGES THE COLOUR OF THINGS HERE… (2009–2014): dance-theatre solo exploring mother figure (Hackney Empire, Shunt Vaults, Lewisham Art Gallery, Zoukak Theatre, Beirut)
- Actor / Singer – SONGS OF LEAR – AN ORATORIO (2011): Song of the Goat Theatre (Teatr Studio, Warsaw / Teatr Pieśń Kozła, Wrocław)
- Actor (Mary Warren / Chorus) – THE CRUCIBLE (2010): with Song of the Goat Theatre following a three-month laboratory (Teatr Studio, Warsaw / Teatr Pieśń Kozła, Wrocław).
- Choreographer / Dancer – PHANTOM LIMB (2010): dance-theatre duet (CREATIVE FORUM FOR INDEPENDENT ARTISTS– Alexandria, Egypt)
- Performer – WAR GIFTS (2005–2006): a Grotowski-inspired physical theatre production by Astragali Teatro in (Lecce, Italy / Athens, Greece)
Awards, Recognition & Media Profile
- Fellow of the Higher Education Academy (2022)
- Fellowship in Accessible Performance Practice — Rose Bruford College (2017–2018)
- A.G. Leventis Foundation: doctoral research grant (2010–2012)
- State Scholarship Foundation of Greece (IKY): full-time scholarship towards doctoral research (2009–2012)
- Full-time IKY scholarship towards Master’s studies (2006–2007)
- Gilchrist Book Award, Dance Diploma, Birkbeck University (2008)
- ERASMUS–SOCRATES FREEMOVER scholarship for study at Paris VIII–Vincennes–Saint-Denis and Universidad de Salamanca (2000–2001)
Industry Collaborations & Partnerships
- Angela Woodhouse: ongoing performance and dance collaborations, including Expanded Landscapes and Close Distance
- Tania Batzoglou: long-term artistic collaboration and co-deviser of CANDID
- Esther Sabetpour Ramnath: ongoing interdisciplinary collaboration connecting movement, photography, writing and performance for camera.
- Creating Ground, Greenwich: creative arts practice and event curation with migrant women (2024–today)
Teaching & Mentorship
Dr Papadelli is an established HE educator and supervisor, teaching across undergraduate and postgraduate courses in leading Universities and Conservatoires. She has sustained experience of teaching and supervising at Rose Bruford College (2011-today), Trinity Laban Conservatoire of Music and Dance (Module Leader 2020-today) and Goldsmiths (2009-2022), and visiting lecturing experience at LAMDA, Middlesex University and Drama Studio. At Rose Bruford she has worked as a Module Year Coordinator (BA ETA), IRP Coordinator (MA/MFA Actor Performer Training) and movement tutor over all the undergraduate performance courses. She has been the main movement tutor on the BA ETA since 2011; convened the Research Methodologies unit on the MA Ensemble Theatre programme (2014-2018); and supervised practical and written research across undergraduate and postgraduate programmes.
Her teaching specialisms include somatic movement, Contact Improvisation, yoga, experiential anatomy, Laban/Bartenieff fundamentals, physical and experimental theatre, impulse-based practice, ensemble work, movement improvisation, body-based devising, and embodied writing. Her professional practice directly informs a pedagogy that brings together embodied experimentation, artistic rigour and critical reflection, supporting students to develop independent artistic voices and research-informed practices.
Research & Knowledge Exchange
Her practice as research interests and publication topics lie in pedagogies of touch in performer training, somatic movement, phenomenology, autoethnography, the intersecting field of arts and health, and multimodal translation.
Her research has generated international conference presentations, book chapters, performance installations, workshops and community-facing activity. Knowledge exchange extends into arts-and-health and socially engaged practice, including creative arts sessions with migrant women (Creating Ground), young people with learning differences (GRAEAE) and interdisciplinary movement/photography/writing workshops. Her doctoral research, Towards a Practice of Attunement, examined the incorporation of approaches from Post-Growskian theatre and Contact Improvisation into movement practice for actors and performers.
Publications / Research Outputs (selected)
- Papadelli, V. (2026), “Laughing Gas: multimodal processes of writing for autoethnographic performance”, in Multimodality and the Arts: Creative and Performative Processes as Intersemiotic Translation, Bloomsbury Publishing.
- Papadelli, V. (2020), “Sensing and making sense of touch within movement pedagogies for theatre and performance”, in Malaika Sarco Thomas (ed.), Thinking Touch in Partnering and Contact Improvisation: Philosophy, Pedagogy, Practice, Cambridge Scholars, pp. 180–205.
- Lownie, A., Hussein, N.N., Papadelli, V., Lennox, S. & Yanikkaya, Z. (2017), “Training and … Borders”, Theatre, Dance and Performance Training, 8(1), pp. 109–110.
- Chung, R. & Papadelli, V. (2010), “A conversation with Ray Chung”, Journal of Dance and Somatic Practices, 2(2), pp. 155–161.
- Practice-as-research outputs include CANDID, LAUGHING GAS, Phantom Limb, and The Air Changes the Colour of Things Here…
Education / Academic Qualifications
- Postgraduate Diploma in the Therapeutic Arts, Institute for Arts in Therapy and Education (2025)
- Practice Based PhD in Movement for Actors: “Towards a Practice of Attunement: An Incorporation of Elements from Song of the Goat Theatre and Contact Improvisation”, Goldsmiths, University of London & Royal Central School of Speech and Drama (2013)
- MA Performance Making (Distinction), Goldsmiths, University of London (2007)
- Diploma in Dance, Birkbeck University (2008)
- Diploma in Acting, Drama School of the Odeion Athinon, Athens (2004)
- BA Theatre Studies (First) / National and Kapodistrian University of Athens (2003)
Additional
Conference Presentations
- 2024: ‘A reimagining of a maternity ward’ (online paper) – international interdisciplinary hybrid conference Performing Care and Carelessness, University of Otago
- 2023: ‘Laughing Gas: multimodal processes of writing for autobiographical performance’ (online paper) – online research symposium Multimodal Translation in the Arts: (Multi)modalities, Languages and Codes in/as Translation
- 2021: ‘Sensing and making sense of touch within movement pedagogies for the theatre and performance’ (paper presentation) – online conference The Makings of the Actor: the Actor-Dancer
- 2021: ‘Ripples, cliffs, spheres and strings: Applications of Laban’s effort phrasing’ (paper presentation) – online conference Rhythm in Acting and Performance International Conference
- 2016: ‘Experiential and actional touch: movement pedagogies for theatre and performance’ (paper presentation) — Dance Studies Conference, Thinking Touch: Artistic, Scientific and Philosophical Approaches, School of Performing Arts, University of Malta
Other
Peer reviewer: Journal of Dance & Somatic Practices
Fellow (FHEA)
Available for PhD supervision