Selected Professional Practice & Industry Work
- Showwomen Sideshow Spectacular 2022-2024 – a large scale outdoor promenade circus spectacle featuring 33 performers commissioned by Bartholemew Fair for the City of London and Brighton Festival
- Showwomen 2021-2023- a stage show fusing archival research and performance lecture commissioned by Attenborough Centre For The Creative Arts, Jacksons Lane, Latitude Festival Performance Venues Sheffield, Colchester Arts Centre, Cambridge Junction, Norwich Arts Centre, The Lowry.
- Showwomen 2022- a short film commissioned by The Space Digital
- Carnesky’s Ghost Train 2004-2014 – a large scale art house theatrical theme park ride featuring live performers commissioned by Warwick Arts Centre, Fierce Festival, Blackpool Council, Queer Up North and Glastonbury Festival.
- Cest Duckie 2004 – an Olivier Award winning devised cabaret theatre show pressented at the Barbican.
- Carnesky’s Tarot Drome – an immersive ensemble show on roller skates commissioned by The Major of Londons Culture Team for the Cultural Olympiad 2012, Latitude Festival and The Cirque De Jules Vernes, Amiens, France
- Dr Carnesky’s Incredible Bleeding Woman – an ensemble theatre show for seven performers 2016 -2019 commissioned by National Theatre Studios, Attenborough Centre For The Creative Arts, Jacksons Lane, Colchester Arts, Norwich Arts Centre, Centre and Soho Theatre
- Magic War 2007 – a solo magic performance commissioned by Warwick Arts Centre, Fierce, Les Halles de Schaerbeek, Belgium, Soho Theatre and Hackney Empire
- Girl From Nowhere 2003 – commissioned by City of Women in Slovenia, Anti Festival In Kupio, Finland, The Riverside Studios and the Arnolfini.
- Jewess Tattooess 1999- a solo performance art theatre show commissioned by Arsenic – Centre d’art scénique contemporain, Switzerland, the ICA, Queer Up North and Fierce.
- Artistic Director Carnesky Productions Ltd 2004- to present.
Awards
- Oliver Award, Best Entertainment 2005, Cest Duckie
- AHRC Creative and Performing Arts Fellowship 2007 at the National Circus and Fairgorund Archive at The University of Sheffield
- British Tourism Award Carnesky’s Ghost Train Blackpool 2011
- Edinburgh Festival Herald Angel Award -C’est Barbican 2005
- Time Out Award – C’est Barbican -Best Theatre 2004
- Live Art Development Agency Bursary 2000
Media
Industry Collaborations & Partnerships
- National Circus and Fairground Archive, V&A, British Library, National Theatre Studios, Barbican, Duckie (Associate Artist), Glastonbury Festival, City of Women (Slovenia), Cirque Electrique (Paris), Arsenic – Centre d’art scénique contemporain, Switzerland, Soho Theatre, Colchester Arts Centre, Norwich Arts Centre, Warwick Arts Centre, Fierce, Performance Venues, University of Sheffield, The Lowry, Manchester, Cambridge Junction.
- Current partners: Brighton Festival, Jacksons Lane, 101 Arts Centre, Performance Venues, University of Sheffield
Teaching & Mentorship
- Course creation and Programme Direction – BA Contemporary and Popular Performance 2022- 2025
- Senior Lecturer – Contemporary and Popular Performance BA, European Theatre Arts BA, Performance MA
Specialist areas: Drama, immersive theatre, popular performance including stage illusion, circus direction and devised theatre, outdoor arts, solo performance.With over thirty years of experience exploring methods for combining artforms across immersive and popular performance genres, Dr Carr brings her wide practice based knowledge to the creative teaching process, leading a process where performance skills meet new ideas.
Research & Knowledge Exchange
- Practice as Research in Performance
- Solo Feminist Performance
- Large Scale Outdoor Contemporary Circus
- Immersive Performance and Fairground Technologies
- Dramaturgy for Devised Theatre and Performance
- AHRC Creative and Performing Arts Fellow
- Principal Investigator on current project, including work supported by national research bodies and international collaborations. Her research has both academic and industry impact, contributing to the development of new performance methodologies and technologies across arenas of contemporary performance and popular entertainment.
Publications / Research Outputs
Feminist Art Activisms and Artivisms, Ed Katy Deepwell, Valiz, 2020. Authored Chapter: ‘Menstronauts A Go Go’.
Obsessions Of A Showwoman – The Performance Worlds of Marisa Carnesky Ed Erini Kartsaki, Intellect 2024. Authored Chapters: ‘Her Spectacular Entrances’; ‘Incredible Bleeding Women I’ ; ‘Showwomen Who Risk It All’; ‘Incredible Bleeding Women II’.
Forthcoming publication:
Re-Imagining British Popular Entertainment through the Ages – An Analysis of Form, Content and Meaning by Contemporary British Practitioners. Ed Tony Lidlington, Publisher: Routledge 2026
Academic Qualifications
PhD in Media and Performing Arts
AHRC Fellowship
BA Hons (1st Class)
Additional
Keynote: Reclaiming The Spectacle, University of Athens 2025
Currently available for PhD supervision