My teaching encompasses devised political performance; archiving and performance documentation; (post)digital practices; and live art. My research specialisms concern the ‘staging’ of free speech culture war politics; the digital performativity of far-right movements; and XR technologies. I have published articles on these topics in world-leading academic journals including Studies in Theatre and Performance, International Journal of Performance Arts and Digital Media, Contemporary Theatre Review, and Performance Research. I have also been published in several non-academic journals, including HowlRound Theatre Commons, Yorkshire Bylines, International Arts Manager, and Theatre Bubble. External sector engagement includes acting as a convener for the TaPRA working group Performance and New Technologies from 2024-2026 and longstanding commitments as an associate academic with Hydrocracker theatre company and the Berlin School of VR.