My teaching encompasses devised political performance; archiving and performance documentation; (post)digital practices; and live art. My research specialisms concern the ‘staging’ of free speech culture war politics; the digital performativity of far-right movements; and XR technologies. I have published articles on these topics in world-leading academic journals including Studies in Theatre and PerformanceInternational Journal of Performance Arts and Digital Media, Contemporary Theatre Review, and Performance Research. I have also been published in several non-academic journals, including HowlRound Theatre Commons, Yorkshire Bylines, International Arts Manager, and Theatre Bubble.  External sector engagement includes acting as convener for the TaPRA working group Performance and New Technologies from 2024-2026 and longstanding commitments as an associate academic with Hydrocracker theatre company and the Berlin School of VR