Awards, Recognition & Media Profile
- “From ropes to WiFi: the surprising story of stage lighting control”, invited public lecture for the Institute of Engineering and Technology, Savoy Place, London, 13 December 2024
- “Boundary Conditions” (one part of “Cuddington”). Photographs exhibited at Seeing the Invisible, an exhibition in Novi Sad, Serbia, within the 3rd edition of Spatial Culture Festival, 21st-22nd September, 2019. [see below for details]
Industry Collaborations & Partnerships
- 2002-2009 – Technical author, writing the instruction manual for the state-of-the-art lighting control system, Wholehog III, for High End Systems (now part of ETC)
- As the RBC lead for its contributions to the Canon I and Canon II projects, I have worked with partner organisations The Arts and Theatre Institute (Czech Republic), The Swedish Technical Theatre Association, and the Institute of Lighting Design (The Netherlands). [see below for more information on the Canon projects]
Research & Knowledge Exchange
Research interests
Light and performance; photography and scenography; digital scenography and digital performance; the role and status of theatre practitioners; the history of theatre technologies.
Funded projects
I have been the lead member of staff for RBC’s involvement as a partner in the Canon I and Canon II projects:
- Canon I, 2019-2022. Total project funding from EU Erasmus+: 450,000 Euros. 9 partners from Belgium, the Czech Republic, Germany, Italy, Spain, Sweden, the UK. The project investigated how the history of technical theatre can be taught, and developed open-access resources including a database of information (30,000+ items), teaching methodologies and tools, and the ‘canon’ of 100 stories about key aspects of technical theatre development in ten historical periods across ten themes
- Canon II, 2025-2028. Total project funding from EU Erasmus+: 400,000 Euros. 6 partners from Belgium, the Czech Republic, Germany, the Netherlands, Sweden, the UK. The project is investigating how technical theatre heritage can best be preserved, with a focus on lighting design and technology, and stage design. It will create examples of digitally documented designs, archives and artefacts, demonstrating the methodologies developed, and provide open-access guidelines to support collectors, curators, archivists and others
Practice as research
“Traces” (2017-2019) is an interactive light installation by Hansjörg Schmidt and me, investigating the experience of seeing. Traces has been presented at academic conferences at the University of Leeds, University of Salford, and City (University of London). It was invited to be shown at the Flux exhibition of digital and interactive art, London.
“Tracing the Light: A performance essay on space, light and the process of looking”, in Contemporary Performance Lighting: Experience, creativity and meaning, eds. Katherine Graham, Scott Palmer and Kelli Zezulka, Methuen, 2023.
“Cuddington” – a three-part investigation of the suburban public park through photography, and drawing on both scholarship on suburbia, and scenographic theory. Cuddington has been presented in a variety of formats:
“Photoscenography: Cuddington”. Artist’s pages in Performance Research, 2020, vol. 25 no. 4 “On Hybridity”, 134-5.
“Cuddington: a Photoscenographic Investigation of the Public Park”. A video presentation for the Connections: Exploring Heritage, Architecture, Cities, Art, Media online conference, AMPS, 24-26 June 2020.
“Boundary Conditions” (one part of “Cuddington”). Photographs exhibited at Seeing the Invisible, an exhibition in Novi Sad, Serbia, within the 3rd edition of Spatial Culture Festival, 21st-22nd September, 2019.
Public engagement
“From ropes to WiFi: the surprising story of stage lighting control”, invited public lecture for the Institute of Engineering and Technology, Savoy Place, London, 13 December 2024.
See also Cuddington, above – exhibition in Novi Sad, Serbia.
Publications / Research Outputs (selected)
“Light, Space, Image: the complex contribution of lighting and video to the scenography of Eurovision”, in Designing Eurovision: Performance Scenography on an International Stage, eds. Amy Skinner and Catherine Baker, Routledge, 2026
“A sense of direction: the directionality of light and the creation of meaning and feeling on stage”, Theatre and Performance Design, 2024, vol. 9, no. 3-4, 221-241.
“The Virtual Opera House: hybrid realities in lighting design processes for large scale opera”, Theatre and Performance Design, 2020, vol. 6, no. 4, 341-355.
“Modelling Light: the transformative role of the model and the miniature studio in the development of lighting design in the UK”, Theatre and Performance Design, 2018, vol. 4, nos. 1-2, 101-118.
Education / Academic Qualifications
PhD, “Repositioning the Role of the Lighting Artist in Live Theatre Performance” (Director of Studies: Professor Susan Melrose), Middlesex University, July 2012
Diploma, Stage Management & Technical Theatre, Bristol Old Vic Theatre School, June 1985
Southampton University, BSc (Hons) Mechanical Engineering (Upper 2nd), 1983
Additional
Peer review for:
- Theatre and Performance Design journal
- International Journal of Performance Arts and Digital Media
- Theatre, Dance and Performance Training journal
- Routledge books
- Methuen books
- Bloomsbury Books