Why choose this course?
An Introduction to Entering the Wilsonian World with internationally renowned Actor-Director Michele Shay.
Early bird fee £300 until 15 June.
11,12,18,& 19 July. Please see the fee and application section for all dates and times.
This course is for those aged 18+.
“Language describes the idea of the one who speaks it. So behind the talk is the thought patterns, it’s the way you think. What I have discovered in African-American speech is a lot of things are implied. There’s a tonal quality to the way things are said and depending on the tonal quality the interpretation is made. But the implication is supposed and stated straight out so it’s much better and it’s a mark of a good personality if you can take a circuitous route to a particular thing……It’s a different way of thinking actually”
August Wilson, A Conversation with August Wilson.
“Acting August Wilson” will be an immersion in the experience of the language, meaning and manner encoded in Mr. Wilson’s scripts. Participants have called the work “life-changing”.
Course dates and times
Saturday 11 July - 5pm to 8pm (BST)
Sunday 12 July - 5pm to 8pm (BST)
Saturday 18 July - 12pm - 5pm (BST)
Sunday 19 July - 12pm - 5pm (BST)
£300 (early bird until 15 June)
£350 (full fee)
Rose Bruford College Alumni Discounts
Alumni of Rose Bruford College undergraduate and postgraduate courses are entitled to a 5% discount on the full fee. Please contact us for further information.
Please email email@example.com if you have any questions about the course.
August Wilson has said that writing a play is like “walking down the landscape of the self, and you have to be willing to confront whatever you find there”.
You will explore through music, dramaturgy and the rehearsal processes various roles and key scenes from Mr Wilson’s 20th Century Cycle depicting the African American experience in ten decades of living in America.
You will begin to discover the skill required to do the heightened poetic text of Shakespeare or Chekhov is similar to the skill required to execute the heightened poetry in a Wilsonian text.
Most significantly, you will receive instruction through personal or audio/visual insights and annecdotes from Ms Shay, and others who personally worked with Mr. Wilson originally to create the work with him.
You will also learn how to connect technique, training, research and analysis with how to interpret and truthfully embody the blueprint August offers in the text of his plays.
Classes will be offered over two weekends.
The first day of the first week-end will on entering the world through foundational experience of music and video sharing 3 hour Zoom Music and video of interviews with Mr Wilson and actors recognised for Acting in his plays that will help participants enter the Wilsonian world.
The second day of the first week-end will be explloring character only through AW Monologues to be chosen and worked on in advance. 3 hour Zoom
The first day of the second week-end will be spent going deeper into monologues with the addition of scenework chosen from the Canon of plays. 6 hour zoom with breaks
The second day of the second week-end. Individual apointments and course completion times to be determined 6-8 hours Zoom with breaks
The Worshop is open to participants of all backgrounds,cultures and ethnicities. All actors may benefit from exposure to Mr Wilson’s work whether they will actually play the roles or not in the Theatre. The skill required to act August Wilson and to study him ranks along side studies of Shakespeare, Chekhov and Tennessee Williams among others in today’s world. It is highly recommended that participants prepare by reading as many plays in the canon as they can and become familiar with August Wilson and come with enthusiasm and respect for the work.
Michele Shay originated the role of Louise in August Wilson’s play Seven Guitars for which she received a Tony Nomination for 'Best Featured Actress in a Play'.
Since then this award-winning actor-director has both performed in or directed several of Mr. Wilson’s plays including; Gem of the Ocean,Radio Golf, King Hedley II, Fences, Joe Turner’s Come and Gone and Two Trains Running.
She was a member of the Acting Company at the Kennedy Center in Washington, DC and the Director for the Greenspace recordings of all ten plays for New York Public Radio. She has taught 'Acting August Wilson' Workshops at Julliard, Yale, NYU,Brown-Trinity,The Actors Center and the national Alliance of Acting Teachers. She teaches Acting at NYU-New Studio,Columbia University, and is a founding faculty member the Black Arts Institute in NY.